Kabir
singh immediately hijacked the spotlight when writer-director Sandeep Reddy
Vanga, announced the official remake of his hugely successful Telegu movie
Arjun Reddy (2017) in Hindi starring Shahid Kapoor opposite Kiara Advani. Being
an official remake of his own movie, the whole movie is practically a reshoot
of the old one with a new title and fresh star cast. But Kabir Singh is more than
an official remake, well at least for the greater masses of viewers who were
unaware of the gem that Arjun Reddy was, until the Hindi remake was announced
on April 2018. The plot wheels around the ‘pro-an-tagonist’, Kabir Rajdheer
Singh (Shahid Kapoor), a brilliant surgeon and his journey of self-destruction
and rebound after his girlfriend Preeti (Kiara Advani) is forced to marry
someone else. The lack of imagination or creativity in the storyline, however
is thoroughly compensated by the director’s vision of depiction which makes the
movie a delight. But vision alone is not enough to recue Kabir Singh from some
prospective blemishes its burdened with. So, these are what I liked and
disliked about Kabir Singh.
The
Good: Shahid Kapoor; is utterly impeccable as the fiery-flamboyant-foul
mouthed and fiercely passionate house surgeon Kabir Singh, giving a career
defining performance, which proves the man has enough mettle to lead any
commercial venture, and is here to stay. A direct comparison is vital in this
case, however with Vijay Deverakonda who has brilliantly portrayed Arjun Reddy
and Shahid is no less lucid in playing this intense role. The supporting
cast; in spite of Shahid’s relentlessly volatile recital, manage to hold
their own with engaging performances from the leading lady Kiara Advani (preeti)
and Soham Majumdar as Kabir’s only companion through every thick and thin. The
music; has aided the narrative in all possible ways, with soulful tracks
from Sachet-Parampara (Bekhayali) along with Mithoon and Amaal Malik. The
narrative; plays its own magic in the movie as the director’s illustration
of this suicidal love story, the viewers remain anchored to their seats abridged
with Kabir and his vulnerable state. The viewers are repeatedly confronted with
waves of emotions, be it anger, hatred, passion or love, which makes the unusually
long running of 2hrs 55mins pretty bearable.
The
Bad: Surely, there are two schools of response to the movie, first one praising
it as an intense-passionate love story, and another one that will condemn it to
be over the top and downright misogynistic and patriarchal. Women empowerment
takes hard blows in specific sequences and the lead seems rude and dis
respectful towards his lady in multiple occasions. And finally, in spite of all
the statutory warnings, I believe a significant fragment of the Indian audience
not prepared for on screen drug and alcohol abuse, specially the youth. Therefore,
at times it appears that the movie is somehow promoting toxic behavior, however
that’s not the case. Keeping in mind the director’s fair intensions in
presenting an intense love story, I urge viewers to watch the movie and share
their reactions in the comment section below.
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